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Īlthough the Daddies have occasionally explored issues of race, violence and politics in their music, "Zoot Suit Riot" expresses no overt political or social commentary: in a 2009 interview, songwriter Steve Perry elaborated on its significance as an intended "anthem" for the swing scene, saying "I guess it seemed like a Pachuco rallying cry that could double as a dance anthem for those of us interested in swing music and culture at a time when nobody else was. Perry has cited the music of Lalo Guerrero, a Mexican-American musician associated with the pachuco and pachuca subcultures of the 1940s, as an influence on the song's content and style.
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Lyrically, the song's narrative is loosely based around the Los Angeles Zoot Suit Riots of the 1940s, a series of racially-motivated assaults by American servicemen upon Mexican-American youths. "Zoot Suit Riot" is written in the musical style of 1940s jump blues. Unbeknownst to us, it became a big hit record", noting elsewhere that he "probably would of given it 2 or 3 more rips, probably slightly slower, if we had known the future back in 1996".
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"He said, 'We should keep that in and it will be our joke that we did this on the first take.' So we left it in the song and moved on. "I had sung the tune and the engineer, my friend, pressed the button and said, 'I think it sounds pretty good, come in here and listen to it'", he revealed in a 2014 interview. At the end of the recording, singer Steve Perry is heard saying "I think I'm about ready to sing it", which he was signifying to the engineer.
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ĭue to the hurried production of the album, the song "Zoot Suit Riot" was recorded in one take. As means of having something new to sell on their next tour while the band was preparing for their next studio album, the Daddies quickly assembled a compilation album of only the swing tracks from their first three albums, recording four new songs-including "Zoot Suit Riot"-to round out a full-length record. As a result, the Cherry Poppin' Daddies, who were at that time primarily associated with the West Coast ska punk scene, began attracting a separate but sizable following for the prominent swing influences in their music.
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User-contributed text is available under the Creative Commons By-SA License additional terms may apply.Overview Background and recording īy the end of 1996, the formerly underground swing revival began drawing mainstream recognition in wake of the success of bands such as the Squirrel Nut Zippers and the hit film Swingers. The band line is Eddie Nichols (vocals), Mando Dorame (tenor sax), Jim Jedeikin (bari/alto sax), Scott Steen (trumpet), Mark Cally (guitar), Dave Miller (bass) and Daniel Glass (drums). area, around the United States, and around the world. They are based in Los Angeles, and frequently tour in the L.A. Since 1991, they have released four studio albums and three live albums.
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They hit their big break in the mass-media with Hey Pachuco! used in the 1994 movie "The Mask" (it's the music Jim Carrey dances to with Cameron Diaz). According to their own website, they are the founding fathers and absolute rulers of the neo-swing movement, the reigning kings of all that is sartorially and otherwise splendid in classic American music. Formed in 1989 in Los Angeles, California.